PRE-RELEASE EXCLUSIVE: “Memento Mori” BY Postrich Bear (USA)

Preorder the album on Bandcamp.

“Memento Mori” is the upcoming album of Postrich Bear, the musical project of Andy Alvarez from Salem, OR, and it’ll be released this October 30th, we (ok, me) at Qneydl had an exclusive access to the upcoming album.

The album is a very personal affair, Alvarez, a singer-songwriter, wrote, composed, sang (with Megan Blankenship featuring in a couple of tunes), played all instruments on it (except the Trumpet in another couple, courtesy of Matthew Mischke), and self-released it.

The personal effort reflects on the music, a collection of Indie-Rock songs contemplating feelings of love, loneliness, longing for a simpler time, and mourning (2 of the songs are dedicated to his grandmothers) giving the album a melancholic and autobiographical feel.

The 4th track “Dejame” tells a story of a separation, and keeping us in the dark about the person and the circumstances of it, leaving only what appears to be a open-ended clue in the lyrics:

Do you remember how we felt back in that summer?

Anoche soñé contigo y esta mañana no me quiero despertar

(Last night I dreamt about you and this morning I don’t want to wake up)

The lyrics in Spanish and the trumpet solo give the track a subtle Mexican vibe, without falling into clichés.

The 9th track “40 Miles with Wade” explores the feelings of sadness even further, a slow and sorrowful ballad, where the acoustic guitar serves as the main rhythmic component, the opening proclamation “Take 1” at the beginning is a perfect indication of its lo-fi spontaneity.

The closing track “Veritas Vincit” serves at a 2 part suite, the first part is a purging of personal demons and feelings of self-hate in what is likely the darkest point of the album, while the 2nd part is a calmer, gentler half, where the writer doesn’t give up on the possibility of hope for a better tomorrow.

My highlight of the album is the 2nd track “Cute” a charming love song with a self-deprecating twist, the jazzy trumpet flourishes throughout the song gives it an air of timelessness, of a tune that can feel comfortable in different decades, including this one.

The album ends with the spoken phrase “That’s really good, not bad”, in my opinion, the feeling is justified, as well as mutual.

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